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Updated Feb 2019, New pictures of the site and audience
Dec 2011 new photos of the Pye Recording crew and Miles Davis's engineer Stan Tonkel and producer Teo Macero
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|  | UPTIGHT ON THE ISLE OF WIGHT ..the fight for the festival | 
|  | Even 
      if Dylan did not stay long enough to satisfy his most enthusiastic fans, 
      the Second Isle of Wight Music Festival last year went out in a blaze of 
      glory. It was generally agreed that the kids had behaved surprisingly well. 
      The nearest thing to a disaster had been a small fire in a fish and chip 
      van and there were only a handful of arrests on minor charges. Both the 
      local bus company and British Rail were quick to lavish praise on the exemplary 
      behaviour of the 100.000 rook fans. And even if the Isle of Wight County Press described the event rather grudgingly as "more like a Hindu prayer meeting on the Ganges than a music festival in our garden isle", the Portsmouth News waxed Iyrical in its editorial column: "A large part of a glacier of prejudice melted away this weekend. Let the hippies ring out their little bells, for social history was made in that Island field." | 
    But 
  the brief spell of mutual backslapping proved to be the calm before the storm. 
  Before the last rock fan had been herded from the precariously laden Ryde Pier 
  on to the departing ferries, the local Tourist Board was reported to be worried 
  that the Island's "family image" has been irreparably tarnished. The 
  cause of their anxiety was the national publicity given to the nude frolickings 
  of half a dozen freaks at the festival. The local branch of the Women's Institute 
  near the festival Site agreed that they were none too keen on "hippies" 
  sleeping at the bottom of their gardens.
  Meanwhile the Senior Public Health Inspector for Newport Rural District Council 
  was making a detailed report on the hygenic conditions at the site.
      It was far from complimentary. 
  Mr R W Cawdell, secretary of the Islands Vectis Nationalist Party, ("UDI 
  of IOW") also Councillor for Ryde, criticised the toilet facilities at 
  the site. The Island's Tory MP, Alderman Mark Woodnutt (majority 17.326) was 
  pushing for Parliamentary legislation to control pop festivals in time for the 
  1970 season.
  And the Isle of Wight County Council set up a 14-man Select Committee, chaired 
  by Alderman Woodnutt, to investigate the whole pop festival phenomenon.
      Predictably, the first major 
  offensive was launched on September 17, 1969, at a public meeting in the village 
  hall at Wootton - the scene of the last festival. It was sponsored by the Wootton 
  and Fairlee Ratepayers' and Residents' Association - which had been involved 
  in the fight to prevent the hovercraft landing near Wootton the year before.
  A number of Island residents were present. Both the County and Borough Councils 
  were represented and were bombarded with questions about blaring music, blocked 
  roads and filth. Also present was Ray Foulks, joint managing director of Fiery 
  Creations Ltd.- the promoters.
      The meeting finally voted to 
  set up a fund get the festival banned, but by April the organisers were reportedly 
  distressed that with donations running at an opulent two guineas a head only 
  £200 had been raised.
  A fighting fund
| The meeting highlighted the attitudes of the central characters in the drama. The councillors argued that they were hampered by the lack of any real power in the form of legislation to control pop festivals. The residents, despite their claims to have nothing against pop festivals as such, could see no good reason why they should take place on their Island, let alone their very doorsteps. As for the promoters, in the words of Ray Foulks "If the Island people do not want a festival here, we will go elsewhere. I mean the Island people, not a handful of people in a Wootton schoolroom". |  | 
    The 
  Wootton meeting had started the anti-festival bandwagon rolling. It gave a firm 
  mandate to Mark Woodnutt to do his utmost to get effective legislation through 
  parliament in time for 1970. Shortly afterwards both Newport and Ryde Borough 
  Councils came out in favour of similar legislation.
  With the November publication in the local paper of the text of a letter from 
  Woodnutt to Arthur Skeffington, Joint Parliamentary Secretary to the Ministry 
  of Housing and Local Government, the promoters and the MP were shown publicly 
  to be at loggerheads.
      Adopting a somewhat Cassandra-like 
  tone, Mr. Woodnutt wrote, "the organisers of last year's festival are planning 
  a similar event next year and if the local authority is not, by then, in possession 
  of powers to lay down and enforce sanitation regulations, the health of everyone 
  in the Isle of Wight will be endangered."
  He added that it needed "only a hot dry week-end to bring about an epidemic" 
  and went on to refer to "the August Bank Holiday weekend last year when 
  150.000 people slept out in the open for several nights and left behind them 
  a scene of in-describable filth."
      The letter outlined the sort 
  of legislation Mr. Woodnutt had in mind. It was to cover gatherings of 500 or 
  more and included power to refuse permission for more than 50 people to sleep 
  overnight in a temporary encampment. It was quite clear that this kind of legislation 
  would have put paid to any plans for a third festival.
      The following week Fiery Creations 
  hit back. They argued that the festival had ploughed back more than £250,000 
  into the Island and stated flatly that they were looking for a bowl-shaped site, 
  capable of taking 250,000 fans for 1970.
  In the following months the idea of getting legislation on the statute books 
  in time for August 1970 was quietly shelved. The Select Committee settled for 
  second best by asking Fiery to enter into an agreement controlling the basic 
  standards of hygiene, security and movement at the festival. This suggestion 
  was welcomed by Fiery.
      But what the local' authorities 
  lacked in practical powers, certain of the residents more than made up for in 
  determination. So much so that by March the promoters were leapfrogging around 
  the East Wight looking for sites in the face of mushrooming residents associations, 
  and even, they claimed, threats to life and property.
  In April, largely to forestall further hysteria. Fiery Creations began secret 
  discussions with Newport Borough Council over land at Goshens, near the site 
  of the last festival, The drama took on all the aspects of high-comedy when 
  an alderman on the council leaked the site details in the public interest, he 
  later claimed. But negotiations for Goshens land and a subsequent site near 
  Havenstreet, also in the East Wight, proved fruitless. In the former case the 
  site was judged far too small by the County Council. They threatened an injunction 
  but were beaten to it by Wootton and Fairlee ratepayers who, at a hearing in 
  the High Court on July 13, scored what amounted to a successful injunction. 
  They were even awarded costs against the promoters.
  A new site
   
      In July, with only seven weeks 
  to go and committed to the tune of £150,000 in artists' fees, the young 
  men at Fiery gave
  up the fight in the East Wight, and moved west. On July 14, they announced a 
  site at East Afton near Freshwater in the west of the Island. Almost simultaneously, 
  the Island branch of the National Farmers' Union came out against the festival, 
  (Fiery placated them later by taking out a million pound insurance policy covering 
  damage to farm property). The County Council dispatched the Public Health Inspector 
  and Rear-Admiral Clarke, county councillor and member of the select-committee, 
  to inspect the "morning after" scene at 1970's other monster festival 
  at Bath. Nevertheless, East Afton was to be the final site. On July 24 agreement 
  was finally reached between the three parties, the Select Committee, the RDC 
  and Fiery.
      The councils struck a hard bargain. 
  They demanded 1200 toilets instead of the 80 provided the previous year: a double 
  wall around the arena, and fencing to protect the adjacent National Trust property. 
  The promoters were also required to deposit £4,000 in bonds and about 
  £1,200 in cash as security, and to provide tents for local authority personnel 
  to act as watchdogs on the festival site.
      Fiery Creations was at last free 
  to get on with building, and organising the festival.
Eithne O'Sullivan
Contents 
  
  Isle of Wight 1970 festival 
  menu
updated March 2019
  The Underground 
  press- NB: opinions 
  expressed in these articles do not represent our opinions of the organisers 
  or any other people involved in the running of the festival, it is possible 
  that they may be innaccurate in some details or facts. 
International Times.
Reports from the "Straight "press
updated March 2019
External links
The White Panthers
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